| **UNDER CONSTRUCTION** | ||
| Section I. | ||
| Major mode – mostly stepwise motion beginning on first scale degree of the tonic triad | ||
 | le Beau, Luise Adolpha, Op.7 No. 3, Juchhe, Lebhaft, mm.6-14 | |
| Minor mode – mostly stepwise motion beginning on first scale degree of the tonic triad | ||
 | Bologne, Joseph, L’amant anonyme, Overture: III. Presto, mm.254-273 | |
| Major mode – mostly stepwise motion beginning on the third scale degree of the tonic triad | ||
 | Garica, José Maurício Nunes, Immutemur Habitu, Moderato, mm1-9 (alto part) | |
 | Snaër, Samuel, Mass for three voices, Gloria, Allegretto, mm.1-8 | |
 | Lang, Josefine, Lied des Katers, Hiddigeigei, Op.45, Nicht schleppend, mm.4-12 | |
| Minor mode – mostly stepwise motion beginning on the third scale degree of the tonic triad | ||
| Garica, José Maurício Nunes, Libera me, mvt. II Kyrie, Andantino, mm.1-5 (soprano part) | |
| Garica, José Maurício Nunes, Immutemur Habitu, Moderato, mm1-9 (soprano part) | |
| Major mode – mostly stepwise motion beginning on the fifth scale degree of the tonic triad | ||
| Bologne, Joseph, Harpsichord Quartet, mvt. I. Allegro, mm.20-23 | |
| Minor mode – mostly stepwise motion beginning on the fifth scale degree of the tonic triad | ||
 | Tegnér, Alice, Violin Sonata in A minor, mvt. III Andante, mm.1-3 | |
| Major mode – skips in the tonic triad | ||
 | Twelve Songs, No. 10, Der Mond Aus des Knaben Wunderhorn, mm.1-16 | |
 | Sancho, Ignatius, Minuet No. 1, 1st Horn part, mm.1-8 | |
| Minor mode – skips in the tonic triad | ||
| Compound meter examples | ||
| Skips in the IV chord major and minor | ||
| Skips in the V and V7 chords major and minor | ||
| Alto clef examples | ||
| Section II. *Under Construction* |
Diverse Music Theory Examples 