Coming Soon!
Counterpoint | |
Canti firmi guidelines | |
First Species guidelines | |
Second Species guidelines | |
Third Species guidelines | |
Fourth Species guidelines | |
Fifth Species guidelines | |
Fundamentals | |
Trichords, Tetrachords, Pentachords, Hexachords I | |
Trichords, Tetrachords, Pentachords, Hexachords II | |
Gregorian Modes / Church Modes | |
Jewish Prayer Modes | |
Modern Western Modes | |
Modes III | |
Scales I | |
Scales II | |
Carnatic Melakarta | |
Hindustani Thaat | |
Raga | |
Arabic Maqam | |
Turkish Makam | |
Persian Dastgah | |
Azeri Mugham | |
Javanese Pathet | |
Rhythm and Time Signatures I | |
Rhythm and Time Signatures II | |
Key Signatures I | |
Key Signatures II | |
Harmony | |
Intervals I | |
Intervals II | |
Voice Leading Guidelines | |
Part Writing Errors | |
Seventh Chords | |
Cadences I (what they teach you in school) | |
Cadences II (what they don’t teach you in school) | |
Non-Chord Tones | |
Prolongation | |
Writing for Piano | |
Modulation I | |
Modulation II | |
Binary Form | |
Augmented Triad | |
Diatonic Harmonic Sequences | |
Chromatic Harmonic Sequences | |
Augmented 6th Chord | |
CTo7 | |
Sonata Form | |
12 Tone Theory | |
Negative Harmony | |
Neo-Riemannian Theory |