Applied Chords

Secondary Dominants
V/ii
pdfmp3Andrée, Elfrida, Two Romances for violin and piano, mvt. II Allegro, mm.1-8
pdfmp3Bridgetower, George, Henry A Ballad, mm. 30-39
pdfMIDILang, Josephine, Disteln und Dornen, Op.33, Sprache der Liebe,
Ausdrucksvoll und mässig, mm.1-8
pdfmp3Mayer, Emilie, String Quartet No. IV in A major, mvt. I, mm.18-22
(link to recording)
V/bII and V/V/V
pdfmp3Malher, Alma, 5 Lieder: V. Ich wandle unter Blumen, mm.1-8
(recording link)
V/ii V/V
pdfMIDILang, Josephine, Ich Möchte Heim!, Op.41 Andantino espressivo, ma non troppo, mm.1-11
V/ii and V/IV
pdfmp3Farrenc, Louise, Élévation for organ, Adagio religioso, mm.9-16
(link to recording)
pdfmp3Park, Maria Hester, Piano Sonata in C major, Op. 7, mvt. III. Rondo. Allegramente, mm.98-105
V/iii (see also Mediant and Subtonic)
pdfmp3Barrios, Agustin, La Catedral for guitar, mvt. II Andante religioso, mm.1-4
pdfmp3Chasselon, Mélanie, Intermezzo for piano, Allegretto, mm.18-25 (link to recording)
(also example of a contrasting progressive period – C major to G major)
pdfMIDIColeridge-Taylor, Samuel, Three Humoresques, Op.31,No.1 Cantabile, mm.124-135
pdfmp3Gröndahl, Agathe Backer, Sérénade for piano Op. 15, mm.1-9
pdfmp3John Thomas Douglass, The Pilgrim, Grand Overture, Andante, mm.13-20
(also contains example of It+6)
pdfMIDIReichardt, Louise, 12 Songs, Op.3, No.7 Die Wiese
(no dynamics given in original score)
V/III V/IV V/VI
pdfmp3Garcia, José Maurício Nunes, Immutemur Habitu, Moderato, mm.1-14
V/IV
pdfmp3Barrios, Agustin, El sueño de la muñeca for guitar, mm.18-28
pdfmp3Farrenc, Louise, Souvenir Des Huguenots, Fantaisie variations for piano, Op.19, mm.25-33
pdfmp3Tchaikovsky, Pyotr Ilyich, Album for the Young, No. 20, The Witch
mm. 37-46
V/IV and V/V
pdfmp3Mussorgsky, Modest, Une Plaisanterie for piano, mm.1-8
V/V
pdfmp3Barrios, Agustin, La Catedral for guitar, mm.16-21
(also contains example of Fr+6)
pdfmp3Brandenstein, Caroline von, Violin Sonata in D major, mvt. II Rondo grazioso, mm.41-48
pdfmp3Mendelssohn, Fanny Hensel, Lockung No. 1 from Gartenlieder, Op. 3, mm.1-8
(also contains passing and cadential 6/4 chords)
pdfmp3Paradis, Maria Theresia, Morgenlied eines armen Mannes, mm.1-8
pdfmp3White, Joseph, Zamacueca mm.1-5
V/vi
pdfMIDIMayer, Emilie, Drei Lieder, Op.7, No.3 Wenn der Abendstern die Rosen,
Andantino, mm. 5-12
V7/vi and V7/V
pdfmp3The Bangles, Eternal Flame, mm.3-11(first verse)
(words and music by Billy Steinberg, Tom Kelly and Susanna Hoffs)
V/V/V or similar chain of applied chords
pdfmp3Coleridge-Taylor, Samuel, African Dances, Op.58, I. Allegro, mm.157-end
(also contains Ger+6) (recording link)
pdfmp3Price, Florence, Adoration arr. for violin and piano, mm.25-33
V/V V/IV or V/ii
pdfmp3Farrenc, Louise, Souvenir Des Huguenots, Fantaisie variations for piano, Op.19, Chorale mm.1-17
pdfmp3Le Beau, Luise Adolpha, Sonata for violin and piano, Op.10, mvt. III, Allegro con fuoco, mm.1-13
pdfmp3Maier, Amanda, Six Pieces for violin and piano, mvt. I. Allegro vivace, mm.1-13
Secondary Sevenths
pdfMIDIBrady, William, Anthem for Christmas, Andante Pastorale, mm.1-4
pdfmp3Colbran, Isabella, Six Songs for piano or harp accompaniment, No. 1 Povero cor, tu palpiti,
Andantino, mm.5-11
pdfmp3Dédé, Edmond, Chicago mm.1-8
(link to recording)
pdfLang, Josefine, Leid des jungen Werner, Op. 45, Moderato, mm.1-6
(Unable to find recording at this time.)
pdfMIDIPrice, Florence, Levee Dance, mm.1-4
pdfmp3Reichardt, Luise, Herr, schaue auf uns nieder, mm.1-4
pdfmp3Schumann, Clara, Three Preludes and Fugues Op. 16, Prelude II, Allegretto, mm.1-4
pdfmp3Tchaikovsky, Pyotr Ilyich, Album for the Young, No. 23, In Church, mm.29-36
(tonic pedal)
Secondary Dominants and Secondary Sevenths
pdfmp3Andrée, Elfrida, Piano Quartet mvt. III Finale – Allegro moderato, mm.1-10
pdfMIDIBarthélemon, Cecilia, Sonata for Harpsichord or Piano, Op.3, mvt. III
Vivace, Rondo alla Hornpipe, mm.1-8
pdfmp3Bologne, Joseph, Sonata for flute and harp in Eb major, mvt. I Andante, mm.43-49
pdfMIDIBrady, William, Anthem for Christmas, Andante Pastorale, mm.8-22
(also contains mode mixture minor v)
pdfmp3Coleridge-Taylor, Samuel, Four Characteristic Waltzes, Op.22, No. 1 Valse Bohémienne,
Allegro ma non troppo, mm.25-34
pdfmp3Coleridge-Taylor, Samuel, Four Characteristic Waltzes, Op.22, No. 4 Valse Mauresque
Allegro furioso, mm.1-12 (link to recording)
pdfMIDIDédé, Edmond, Le Serment de L’arabe, Chant Dramatique for voice and piano,
(piano introduction), Allegro Maestoso, mm.1-8
pdfmp3Dett, Nathaniel, I’m So Glad Trouble Don’t Last Alway, mm.1-5
(interesting example of parallel 5ths in left hand)
pdfMIDIFaunt Le Roy Runcie, Constance, Silence and The Sea, mm. 23-3
(answer key)
pdfmp3Farrenc, Louise, Violin Sonata No. 2, Op.39, mvt. I, Grazioso, mm.1-17
pdfmp3Garcia, José Mauricio Nunes, Beijo a mão que me condena for voice and piano
pdfMIDIMontgeroult, Hélène De, Three Sonatas for piano, Op.2, No.1, mvt. II. Presto, mm.1-21
pdfmp3Park, Maria Hester, Piano Sonata in C major, Op. 7, mvt. III. Rondo. Allegramente, mm.110-117
V7/VI, V7/iv, and viio7/V
pdfReichardt, Louise, 12 Songs, Op.3, No.8 Kaeuzlein
(Unable to find recording at this time.)
pdfReichardt, Louise, 12 Songs, Op.3, No.11 An Maria
(Unable to find recording at this time.)
pdfMIDISawyer, Jacob, J. Welcome to the Era, March, Con Spirito, mm.5-20 (2nd ending)
pdfmp3Schumann, Clara, Soirées Musicales, No.2 Notturno, mm.-1-14
pdfmp3Szymanowska, Maria, Nocturne in Bb major, mm.1-5
Deceptive and or Irregular Resolutions
pdfmp3Coleridge-Taylor, Samuel, Impromptu No. 3, mm. 99-113
(link to recording)
pdfmp3Tchaikovsky, Pyotr Ilyich, Album for the Young, No. 23, In Church, mm.1-12
(i subs for III) or can be interpreted as a modal type of the plagal cadence i – ii – i in D