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The mission of the project to provide resources to teaching faculty and other curious people to produce a more inclusive curriculum by including works of composers who have worked within the common practice who are not normally encountered in music theory courses. These composers include: women composers, LGBTQ composers, composers of color, and non-Western European composers.
Dr. David Dean Mendoza
If you wish to contribute to this project, please send donations to paypal.me/dmteproject
Please attribute and do not use for commercial purposes.
This work by Contributors is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
Recently Added Examples and Changes
| Date | Chapter | Example Added and Changes |
| 08/25/26 | Textbook: Music Theory Matters | Five examples from this website were used in the Oxford University Press textbook Music Theory Matters by Brad Osborn and Christine Boone. No footnote or acknowledgment was given. 1. Bon, Anna, Six Sonatas for harpsichord, Sonata II, mvt. II, Andante, mm.8-12 2.Sawyer, Jacob, J. Welcome to the Era, March, Con Spirito, mm.5-12 3.Le Beau, Luise Adolpha, Drei Clavierstücke, Op.1, No.2, Leid, mm.1-8 4.Garcia, José Maurício Nunes, Vésperas de Nossa Senhora, Dixit Dóminus, mm.1-4 5.Bologne, Joseph, String Quartet No. 4 in C minor, mvt. I Allegro moderato, mm.1-4 |
| 07/01/26 | Cadences and Handouts | The Plagal Half Cadence: A Compendium of Theoretical Sources (updated with 59 sources) |
| 06/22/26 | Handouts | Non-Chord Tone Chorale Example Handout |
| 05/16/26 | Cadences | Sullivan, Sir Arthur Seymour, Onward, Christian Soldiers (St Gertrude) 3rd phrase, mm.9-12 |
| 05/08/26 | Cadences | Lark in the Morning, traditional Irish folk song |
| 05/06/26 | Augmented Triad | Mendelssohn-Hensel, Fanny, 6 Lieder, Op. 9: No. 1, Die Ersehnte, mm. 8-13 |
| 05/06/26 | Mode Mixture | Mendelssohn, Fanny Hensel, 6 Lieder, Op. 9: No. 1, Die Ersehnte, entire song |
| 04/30/26 | Cadences | Debussy, Claude, Violin Sonata in G minor, mvt. I. Allegro vivo, mm.1-14 |
| 04/29/26 | Cadences and Handouts | The Plagal Half Cadence: A Compendium of Theoretical Sources |
| 04/28/26 | Chromatic and Enharmonic Modulations | Mendelssohn, Fanny Hensel, Die liebe Farbe, entire song. Andante |
| 04/28/26 | Applied Chords | Mendelssohn, Fanny Hensel, Die liebe Farbe, entire song. Andante |
| 04/28/26 | Neo-Riemannian Theory | Mendelssohn, Fanny Hensel, Die liebe Farbe, entire song. Andante |
| 04/27/26 | Rondo | Bigot, Marie, Sonata, Op. 1, mvt. IV Rondo: Allegro |
| 04/27/26 | Augmented 6th Chords | Boulogne, Joseph, Piano Sonata in C major, mvt. 1, mm.82-89 |
| 04/25/26 | Neo-Riemannian Theory | Price, Florence Beatrice, Piano Quintet in A minor, mvt. 1 Allegro non troppo, mm.243-252 |
| 04/25/26 | 6/4 Chords | Price, Florence Beatrice, Piano Quintet in A minor, mvt. 1 Allegro non troppo, mm.7-12 |
| 04/24/26 | Chromatic Sequences | Maier, Amanda, Violin Sonata in B minor, mvt. III. Allegro molto vivace, mm. 373-384 |
| 04/23/26 | Augmented Triad | Maier, Amanda, Violin Sonata in B minor, mvt. III. Allegro molto vivace, mm. 303-311 |
| 04/23/26 | Chromatic and Enharmonic Modulations | Maier, Amanda, Violin Sonata in B minor, mvt. III. Allegro molto vivace, mm.243-266 |
| 04/22/26 | Chromatic Sequences | Maier, Amanda, Violin Sonata in B minor, mvt. III. Allegro molto vivace, mm.243-250 |
| 04/18/26 | Neapolitan Sixth Chords | Maier, Amanda, Violin Sonata in B minor, mvt. I. Allegro, mm.245-248 |
| 04/14/26 | Index of Composers | Composer added Justin Elie |
| 04/14/26 | Augmented Triad | Elie, Justin, Queen of the Night, from Babylon, A Suite of Four Oriental Sketches, No. III., mm. 78-82 |
| 04/07/26 | Rondo | Billington, Elizabeth Weichsell, Six Progressive Lessons for the Harpsichord or Piano Forte, Op. 2, Sonata II, mvt. II Rondo, Presto |
| 03/31/26 | Diatonic Sequences | Billington, Elizabeth Weichsell, Six Progressive Lessons for the Harpsichord or Piano Forte, Op. 2, Sonata III, mvt. II Rondo Vivace, mm.64-67 |
| 03/31/26 | Index of Composers | Composer added Elizabeth Weichsell Billington |
| 03/31/26 | Rondo | Billington, Elizabeth Weichsell, Six Progressive Lessons for the Harpsichord or Piano Forte, Op. 2, Sonata III, mvt. II Rondo Vivace |
| 03/27/26 | Manifestos | Wagner, Richard, Artwork of the Future |
| 03/27/26 | Manifestos | Maciunas, George, Fluxus Manifesto |
| 03/26/26 | Minimalism | Eastman, Julius, Femenine (1974) |
| 03/26/26 | Index of Composers | Composer added Allan Kaprow |
| 03/26/26 | Index of Composers | Composer added Julius Eastman |
| 03/26/26 | Index of Composers | Composer added Ben Patterson |
| 03/26/26 | Happenings and Performance Art | Patterson, Ben, Paper Piece |
| 03/26/26 | Minimalism | Eastman, Julius, Gay Guerrilla, for 3 violins, 2 violas, cello, and double bass |
| 03/26/26 | Minimalism | Minimalism Chapter added |
| 03/26/26 | Minimalism | Eastman, Julius, Buddha |
| 03/26/26 | Happenings and Performance Art | Kaprow, Allan, How To Make A Happening (1968) |
| 03/26/26 | Happenings and Performance Art | Kaprow, Allan, Fluids (1967) |
| 03/26/26 | Happenings and Performance Art | Cage, John, Water Walk |
| 03/26/26 | Rondo | Rondo Chapter added |
| 03/26/26 | Rondo | Sirmen, Maddalena Laura, Six Trios, Sonata V, mvt. II Allegro |
| 03/25/26 | Tonic and Dominant | Sirmen, Maddalena Laura, Six Trios, Sonata IV, mvt. II Rondo Allegretto, mm.35-42 |
| 03/24/26 | Extended Tonicization | Andrée, Elfrida, Piano Trio No.2, mvt. I Allegro agitato, mm. 44-52 |
| 03/24/26 | Augmented 6th Chords | Andrée, Elfrida, Piano Trio No.2, mvt. I Allegro agitato, mm. 28-35 |
| 03/24/26 | Augmented 6th Chords | Park, Maria Hester, Divertimento for piano and violin, I. Andante Affetuoso, mm.9-16 |
| 03/23/26 | Supertonic and Submediant | Paradis, Maria Theresia von, 12 Lieder, No. 10, Da eben seinen Lauf vollbracht, mm.1-8 |
| 03/23/26 | Periods and Sentences | Paradis, Maria Theresia von, 12 Lieder, No. 10, Da eben seinen Lauf vollbracht, mm.1-8 |
| 03/23/26 | Leading-tone | Park, Maria Hester, Divertimento for violin and piano, mm. 71-78 |
| 03/23/26 | Non-Chord Tones | Paradis, Maria Theresia von, 12 Lieder, No. 11 Wenn ich der Kaiser wäre, mm.1-8 |
| 03/23/26 | Periods and Sentences | Paradis, Maria Theresia von, 12 Lieder, No. 11 Wenn ich der Kaiser wäre, mm.1-8 |
| 03/23/26 | Tonic/Subdominant/Dominant | Paradis, Maria Theresia von, 12 Lieder, No. 11 Wenn ich der Kaiser wäre, mm.1-8 |
| 03/22/26 | Augmented 6th Chords | Mendelssohn, Fanny Hensel, 3 Klavierstücke, No. 3 Abschied von Rom, mm.1-3 |
| 03/20/26 | Tonic and Dominant | Park, Maria Hester, Divertimento for violin and piano, mm.1-8 |
| 03/20/26 | Index of Composers | Composer added – Elizabeth Turner |
| 03/20/26 | Diatonic Sequences | Turner, Elizabeth, Lesson 1 in G minor for harpsichord, mm.1-6 |
| 03/19/26 | Augmented 6th Chords | Paradis, Maria Theresia von, 12 Lieder, No. 9 Vaterlandslied, mm.15-22 |
| 03/13/26 | Augmented Triad | Mendelssohn-Hensel, Fanny, Frage for voice and piano, H-U 118, mm. 4-6 |
| 03/11/26 | Pivot Chord and Diatonic Modulations | (Engraving Correction) Liebmann, Hélène Riese , Grand Sonata for piano, mvt. III. Allegro vivace, mm.59-78 |
| 03/11/26 | Augmented 6th Chords | Mendelssohn, Fanny Hensel, 5 Lieder, Op. 10: I. Nach Süden, mm.1-9 |
| 03/11/26 | Model Mixture | Mendelssohn-Hensel, Fanny, 5 Lieder, Op. 10: No. 5. Bergeslust, mm.54-62 |
| 03/09/26 | Mode Mixture | Mendelssohn-Hensel, Fanny, 5 Lieder, Op. 10: No. 5. Bergeslust, mm.13-22 |
| 02/26/26 | Handouts | 4-part Negative Harmony Example 2 – Ich Dank’ Dir, Lieber Herre |
| 02/25/26 | Handouts | Quadruple and Triple Plagal Chord Loops/Progressions (link) |
| 02/20/26 | Handouts | Plagal-Based Chord Diagram for Popular Music |
| 02/20/26 | Handouts | 4-part Negative Harmony Example – Aus Meines Herzens Grunde |
| 02/19/26 | Handouts | Extended Tertian Handout |
| 02/18/26 | Handouts | Negative Harmony Handouts added |
| 02/18/26 | Sample Assignments | Negative Harmony Assignment II. with Answer Key uploaded |
| 02/17/26 | Table of Contents | Negative Harmony Category Added |
| 02/17/26 | Sample Assignments | Negative Harmony Assignment I. with Answer Key uploaded |