Examples

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	MODES AND MODAL HARMONY
1	Modes
	COUNTERPOINT
2	Contrapuntal Textures
	DIATONIC HARMONY
3	Cadences
4	Tonic and Dominant
5	Tonic / Subdominant / Dominant
6	First Inversion Chords (I,IV,ii,V)
7	Leading Tone Triads and Tetrads (viio and viio7)
8	Non-Chord Tones
9	6/4 Chords
10	Supertonic and Submediant
11	Mediant and Subtonic
12	Nondominant Seventh Chords
13	Minor v
14	Periods and Sentences
15	Diatonic Sequences
	CHROMATIC HARMONY
16	Applied Chords
17	Tonicization
18	Chromatic Sequences
19	Pivot Chord and Direct Modulations
20	Common-tone Modulations
21	Modal Mixture
22	Binary Form
23	Ternary Form
24	Neapolitan Sixth Chords
25	Augmented Sixth Chords
26	Abrupt and Enharmonic Modulations
27	Common Tone Diminished Seventh Chords
28	Augmented Triad
29	Dominant Ninth Chords
30	Elevenths and Thirteenths
31	Sonata Form
	20th AND 21st CENTURY TECHNIQUES
32	Nonfunctional Harmony
33	Nontertian Harmony
34	12-Tone
35	Dodecaphonic Examples
36	Happening / Performance Art
37	Graphic Scores / Instruction Based Scores
38	Electronic / Electroacoustic / Installations
	APPENDIX
A1	Treatises
A2	Manifestos
A3	Handouts
A4	Sample Assignments
A5	Four-Part Chorales that Aren’t Bach
A6	Additional Composers Worthy of Study