Examples Please be patient as this page is updated regularly. This website is new and examples are uploaded on a daily basis. MODES AND MODAL HARMONY1ModesCOUNTERPOINT2Contrapuntal TexturesDIATONIC HARMONY3Cadences4Tonic and Dominant5Tonic / Subdominant / Dominant 6First Inversion Chords (I,IV,ii,V)7Leading Tone Triads and Tetrads (viio and viio7)8Non-Chord Tones96/4 Chords10Supertonic and Submediant11Mediant and Subtonic12Nondominant Seventh Chords13Minor v14Periods and Sentences15Diatonic SequencesCHROMATIC HARMONY16Applied Chords17Tonicization18Chromatic Sequences19Pivot Chord and Direct Modulations20Common-tone Modulations21Modal Mixture22Binary Form23Ternary Form24Neapolitan Sixth Chords25Augmented Sixth Chords26Abrupt and Enharmonic Modulations27Common Tone Diminished Seventh Chords28Augmented Triad29Dominant Ninth Chords30Elevenths and Thirteenths31Sonata Form20th AND 21st CENTURY TECHNIQUES32Nonfunctional Harmony33Nontertian Harmony3412-Tone35Dodecaphonic Examples36Happening / Performance Art37Graphic Scores / Instruction Based Scores38Electronic / Electroacoustic / InstallationsAPPENDIX A1TreatisesA2ManifestosA3HandoutsA4Sample AssignmentsA5Four-Part Chorales that Aren’t BachA6Additional Composers Worthy of Study Share this:TwitterFacebookLike this:Like Loading...