Examples

Please be patient as this page is updated regularly. This website is very new and examples are uploaded on a daily basis.

	MODES AND MODAL HARMONY
1	Modes
	COUNTERPOINT
2	Contrapuntal Textures
	DIATONIC HARMONY
3	Cadences
4	Tonic / Subdominant / Dominant
5	First Inversion Chords (I,IV,ii,V)
6	Leading Tone Triads and Tetrads (viio and viio7)
7	Non-Chord Tones
8	6/4 Chords
9	Supertonic and Submediant
10	Mediant and Subtonic
11	Nondominant Seventh Chords
12	Periods and Sentences
13	Diatonic Sequences
	CHROMATIC HARMONY
14	Applied Chords
15	Tonicization
16	Chromatic Sequences
17	Pivot Chord and Direct Modulations
18	Common-tone Modulations
19	Modal Mixture
20	Binary Form
21	Ternary Form
22	Neapolitan Sixth Chords
23	Augmented Sixth Chords
24	Abrupt and Enharmonic Modulations
25	Common Tone Diminished Seventh Chords
26	Augmented Triad
27	Dominant Ninth Chords
28	Elevenths and Thirteenths
29	Sonata Form
	20th AND 21st CENTURY TECHNIQUES
30	Nonfunctional Harmony
31	Nontertian Harmony
32	12-Tone
33	Dodecaphonic Examples
34	Graphic Scores / Instruction Based Scores
35	Electronic / Electroacoustic / Installations
	APPENDIX
A1	Treatises
A2	Manifestos
A3	Handouts
A4	Sample Assignments
A5	Four-Part Chorales that Aren’t Bach