Table of Contents

This page is updated regularly.

	MODES AND MODAL HARMONY	AURAL SKILLS 1	KEYBOARD SKILLS 1
M1	Modes	MAS 1	MKS 1
	COUNTERPOINT	AURAL SKILLS 2	KEYBOARD SKILLS 2
C1	Contrapuntal Textures	CAS 1	CKS 1
	DIATONIC HARMONY	AURAL SKILLS 3	KEYBOARD SKILLS 3
DH1	Cadences	DAS 1	DKS 1
DH2	Tonic and Dominant	DAS 2	DKS 2
DH3	Tonic / Subdominant / Dominant
DH4	First Inversion Chords (I,IV,ii,V)
DH5	Leading Tone Triads and Tetrads (viio and viio7)
DH6	Non-Chord Tones
DH7	6/4 Chords
DH8	Supertonic and Submediant
DH9	Mediant and Subtonic
DH10	Nondominant Seventh Chords
DH11	Minor v
DH12	Periods and Sentences
DH13	Diatonic Sequences
	CHROMATIC HARMONY	AURAL SKILLS 4	KEYBOARD SKILLS 4
CH1	Applied Chords
CH2	Extended Tonicization
CH3	Chromatic Sequences
CH4	Pivot Chord and Direct Modulations
CH5	Common-tone Modulations
CH6	Modal Mixture
CH7	Neapolitan Sixth Chords
CH8	Augmented Sixth Chords
CH9	Chromatic and Enharmonic Modulations
CH10	Common Tone Diminished Seventh Chords
CH11	Augmented Triad
CH12	Altered Dominants
CH13	Dominant Ninth Chords
CH14	Elevenths and Thirteenths
CH15	Wedge and Omnibus Progressions
CH16	Neo-Riemannian Theory
CH17	Ikisugi Chord イキスギ / Blackadder Chord
	MUSICAL FORM
MF1	Binary
MF2	Ternary
MF3	Sonata
MF4	Rondo
MF5	Theme and Variations
	CONTEMPORARY TECHNIQUES	AURAL SKILLS 5	KEYBOARD SKILLS 5
MT1	Nonfunctional Harmony
MT2	12-Tone
MT3	Dodecaphonic Examples
MT4	Graphic Scores / Instruction Based Scores
MT5	Electronic / Electroacoustic / Installations
MT6	Negative Harmony
MT7	Happenings and Performance Art
MT8	Minimalism
	SUPPLEMENTAL MATERIAL
SM1	Four-Part Chorales that Aren’t Bach
SM2	Handouts
SM3	Sample Assignments
SM4	Additional Composers Worthy of Study
SM5	Treatises
SM6	Manifestos
	INDEX
	Index of Composers