Examples

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MODES AND MODAL HARMONY
1Modes
COUNTERPOINT
2Contrapuntal Textures
DIATONIC HARMONY
3Cadences
4Tonic / Subdominant / Dominant
5First Inversion Chords (I,IV,ii,V)
6Leading Tone Triads and Tetrads (viio and viio7)
7Non-Chord Tones
86/4 Chords
9Supertonic and Submediant
10Mediant and Subtonic
11Nondominant Seventh Chords
12Periods and Sentences
13Diatonic Sequences
CHROMATIC HARMONY
14Applied Chords
15Tonicization
16Chromatic Sequences
17Pivot Chord and Direct Modulations
18Common-tone Modulations
19Modal Mixture
20Binary Form
21Ternary Form
22Neapolitan Sixth Chords
23Augmented Sixth Chords
24Abrupt and Enharmonic Modulations
25Common Tone Diminished Seventh Chords
26Augmented Triad
27Dominant Ninth Chords
28Elevenths and Thirteenths
29Sonata Form
20th AND 21st CENTURY TECHNIQUES
30Nonfunctional Harmony
31Nontertian Harmony
3212-Tone
33Dodecaphonic Examples
34Graphic Scores / Instruction Based Scores
35Electronic / Electroacoustic / Installations
APPENDIX
A1Treatises
A2Manifestos
A3Handouts
A4Sample Assignments
A5Four-Part Chorales that Aren’t Bach