Table of Contents

This page is updated regularly.

	MODES AND MODAL HARMONY	AURAL SKILLS 1	KEYBOARD SKILLS 1
M1	Modes	MAS 1	MKS 1
	COUNTERPOINT	AURAL SKILLS 2	KEYBOARD SKILLS 2
C1	Contrapuntal Textures	CAS 1	CKS 1
	DIATONIC HARMONY	AURAL SKILLS 3	KEYBOARD SKILLS 3
DH1	Cadences	DAS 1	DKS 1
DH2	Tonic and Dominant	DAS 2	DKS 2
DH3	Tonic / Subdominant / Dominant	DAS 3	DKS 3
DH4	First Inversion Chords (I,IV,ii,V)	DAS 4	DKS 4
DH5	Leading Tone Triads and Tetrads (viio and viio7)	DAS 5	DKS 5
DH6	Non-Chord Tones	DAS 6	DKS 6
DH7	6/4 Chords	DAS 7	DKS 7
DH8	Supertonic and Submediant	DAS 8	DKS 8
DH9	Mediant and Subtonic	DAS 9	DKS 9
DH10	Nondominant Seventh Chords	DAS 10	DKS 10
DH11	Minor v	DAS 11	DKS 11
DH12	Periods and Sentences	DAS 12	DKS 12
DH13	Diatonic Sequences	DAS 13	DKS 13
	CHROMATIC HARMONY	AURAL SKILLS 4	KEYBOARD SKILLS 4
CH1	Applied Chords	CAS 1	CKS 1
CH2	Tonicization	CAS 2	CKS 2
CH3	Chromatic Sequences	CAS 3	CKS 3
CH4	Pivot Chord and Direct Modulations	CAS 4	CKS 4
CH5	Common-tone Modulations	CAS 5	CKS 5
CH6	Modal Mixture	CAS 6	CKS 6
CH7	Neapolitan Sixth Chords	CAS 7	CKS 7
CH8	Augmented Sixth Chords	CAS 8	CKS 8
CH9	Abrupt and Enharmonic Modulations	CAS 9	CKS 9
CH10	Common Tone Diminished Seventh Chords	CAS 10	CKS 10
CH11	Augmented Triad	CAS 11	CKS 11
CH12	Dominant Ninth Chords	CAS 12	CKS 12
CH13	Elevenths and Thirteenths	CAS 13	CKS 13
	MUSICAL FORM
MF1	Binary Form
MF2	Ternary Form
MF3	Sonata Form
	MONDERN TECHNIQUES	AURAL SKILLS 5	KEYBOARD SKILLS 5
MT1	Nonfunctional Harmony	MAS 1	MKS 1
MT2	Nontertian Harmony	MAS 2	MKS 2
MT3	12-Tone	MAS 3	MKS 3
MT4	Dodecaphonic Examples	MAS 4	MKS 4
MT5	Graphic Scores / Instruction Based Scores	MAS 5	MKS 5
MT6	Electronic / Electroacoustic / Installations	MAS 6	MKS 6
MT7	Happening / Performance Art
	SUPPLEMENTAL MATERIAL
SM1	Four-Part Chorales that Aren’t Bach	SAS 1	SKS 1
SM2	Handouts
SM3	Sample Assignments
SM4	Additional Composers Worthy of Study
SM5	Treatises
SM6	Manifestos
	INDEX
	Index of Composers