UNDER CONSTRUCTION | |||
*Since some of these pieces have never been commercially recorded, MIDI has been substituted. | |||
![]() | A2 (Ascending 5-6 sequence) | ||
![]() | mp3 | Bon, Anna, Six Sonatas for harpsichord, Sonata V, mvt.III Allegro, mm.31-41 | |
![]() | mp3 | Gambarini, Elisabetta de, Six Sets of Lessons for Harpsichord, Op.1, Sonata V, mvt. II Siciliana, Andante, mm.17-23 | |
![]() | mp3 | Amalia, Anna, Divertimento in Bb Major, mvt. II, Allegro, mm. 63-70 | |
![]() | mp3 | Jacquet De La Guerre, Élisabeth, Cephale et Procris, Prologue, Ouverture, mm.26-33 | |
A2 (Ascending Circle-of-Fifths) | |||
A2 (other variations) | |||
![]() | mp3 | Gambarini, Elisabetta de, Six Sets of Lessons for Harpsichord, Op.1, Sonata VI, mvt. III, Allegro grazioso, mm.17-24 | |
Multiple Sequences | |||
![]() | mp3 | Bon, Anna, Flute Sonata No.2, mvt. III, Allegro, mm.23-35 (A2 and D2) | |
![]() | mp3 | Martines, Maria Anna, Sonata in E major, mvt. I. Allegro, mm. 69-83 (A2 and D2) | |
![]() | mp3 | Bon, Anna, Six Sonatas,Op. 2, No. 2, mvt. 3. Allegro, mm.27-41 (A2 and D2) | |
D2 (Descending Circle-of-Fifths) | |||
![]() | mp3 | Farrenc, Louise, Élévation for organ, Adagio religioso, mm.25-32 (from the J.G. Quintard edition) | |
![]() | mp3 | Bologne, Joseph, Ouverture de L’amant Anonime, mvt. I. Presto, mm.24-31 (link to recording) | |
![]() | mp3 | Bon, Anna, Six Sonatas for harpsichord, Sonata IV, mvt. I, Allegro, mm.85-94 | |
![]() | mp3 | Martines, Maria Anna, Sonata for harpsichord in G major, mvt. III, Allegro assai, mm.52-59 | |
![]() | mp3 | Bon, Anna, Six Sonatas for harpsichord, Sonata II, mvt. II, Andante, mm.8-12 | |
![]() | mp3 | Schumann, Clara, Soirées Musicales, Op. 6, No.1 Toccatina, mm.1-8 | |
![]() | mp3 | Szymanowska, Maria, Nocturne in Ab major for three hands, mm.1-8 | |
![]() | mp3 | Jacquet De La Guerre, Élisabeth, Sonata No. 1 in D minor, for violin and clavichord, mvt. IV, Presto, mm.14-35 (Excerpt performed A=432) (Perfect example of arrow notation being more useful than slash notation to indicate secondary dominants.) | |
![]() | MIDI | Garcia, José Mauricio Nunes, Libera me, SATB and continuo, mm.1-12 (also contains a Fr+6 chord, and a passing minor v) | |
![]() | mp3 | Jacquet De La Guerre, Élisabeth, Sonata No. 2 in D for violin and clavecin, mm.32-37 (engraved from the Don Simons edition) (link to recording) | |
![]() | mp3 | Jacquet De La Guerre, Élisabeth, Cephale et Procris, Prologue, Ouverture, mm.53-61 | |
![]() | mp3 | Agnesi, Maria Teresa, Ulisse in Campania, Second Part, Overture, mm.45-60 (Copied and edited by Liam Hynes) (link to recording) | |
![]() | link | Jacquet De La Guerre, Élisabeth, Pièces de Clavecin, Suite No. 5 in D minor, mvt. X Chaconne, mm.104-110 (Excerpt should start at 1:41:55) | |
D3 (Descending Thirds Sequence) | |||
![]() | mp3 | Nepomuceno, Alberto, String Quartet No. 2, mvt. II. Andante espressivo, mm.6-8 (recording link) | |
![]() | mp3 | Bon, Anna, Six Sonatas,Op. 2, No. 2, mvt. 3. Allegro, mm.22-32 (recording link) | |
![]() | link | My Chemical Romance, Welcome to the Black Parade, mm.1-20 (Not a typical D3) (Voice leading chords are not consistent from model to copy, but does give the sense of a sequence) | |
D4 (Descending Fourths Sequence) | |||
![]() | mp3 | Kralik, Mathilde, Jugend-Lieder for voice and piano, No. 7 Die Verschwiegene Nachtigall, Wiegend, mm.118-125 | |