Applied Chords

UNDER CONSTRUCTION
*Since some of these pieces have never been commercially recorded, MIDI has been substituted.
Secondary Dominants
V/ii
pdfmp3Andrée, Elfrida, Two Romances for violin and piano, mvt. II Allegro, mm.1-8
pdfmp3Bridgetower, George, Henry A Ballad, mm. 30-39
V/ii V/V
pdfMIDILang, Josephine, Ich Möchte Heim!, Op.41 Andantino espressivo, ma non troppo, mm.1-11
V/iii (see also Mediant and Subtonic)
pdfMIDIColeridge-Taylor, Samuel, Three Humoresques, Op.31,
No.1 Cantabile, mm.124-135
pdfMIDIReichardt, Louise, 12 Songs, Op.3, No.7 Die Wiese
(no dynamics given in original score)
pdfmp3Barrios, Agustin, La Catedral for guitar, mvt. II Andante religioso,
mm.1-4
pdfmp3John Thomas Douglass, The Pilgrim, Grand Overture, Andante, mm.13-20
(also contains example of It+6)
V/III V/IV V/VI
pdfmp3Garcia, José Maurício Nunes, Immutemur Habitu, Moderato, mm.1-14
V/IV
pdfmp3Farrenc, Louise, Souvenir Des Huguenots, Fantaisie variations for piano, Op.19, mm.25-33
pdfMIDILang, Josephine, Disteln und Dornen, Op.33, Sprache der Liebe,
Ausdrucksvoll und mässig, mm.1-8
pdfmp3Barrios, Agustin, El sueño de la muñeca for guitar, mm.18-28
pdfmp3Tchaikovsky, Pyotr Ilyich, Album for the Young, No. 20, The Witch
mm. 37-46
V/IV and V/V
pdfmp3Mussorgsky, Modest, Une Plaisanterie for piano, mm.1-8
V/V
pdfmp3Paradis, Maria Theresia, Morgenlied eines armen Mannes, mm.1-8
pdfmp3Brandenstein, Caroline von, Violin Sonata in D major, mvt. II Rondo grazioso, mm.41-48
pdfmp3Barrios, Agustin, La Catedral for guitar, mm.16-21
(also contains example of Fr+6)
V/vi
pdfMIDIMayer, Emilie, Drei Lieder, Op.7, No.3 Wenn der Abendstern die Rosen,
Andantino, mm. 5-12
V/V/V
pdfmp3Price, Florence, Adoration arr. for violin and piano, mm.25-33
V/V V/IV or V/ii
pdfmp3Farrenc, Louise, Souvenir Des Huguenots, Fantaisie variations for piano, Op.19, Chorale mm.1-17
pdfmp3Le Beau, Luise Adolpha, Sonata for violin and piano, Op.10, mvt. III, Allegro con fuoco, mm.1-13
pdfmp3Maier, Amanda, Six Pieces for violin and piano, mvt. I. Allegro vivace, mm.1-13
Secondary Sevenths
pdfmp3Reichardt, Luise, Herr, schaue auf uns nieder, mm.1-4
pdfmp3Lang, Josefine, Leid des jungen Werner, Op. 45, Moderato, mm.1-6
pdfMIDIPrice, Florence, Levee Dance, mm.1-4
pdfmp3Schumann, Clara, Three Preludes and Fugues Op. 16, Prelude II, Allegretto, mm.1-4
pdfMIDIBrady, William, Anthem for Christmas, Andante Pastorale, mm.1-4
pdfmp3Tchaikovsky, Pyotr Ilyich, Album for the Young, No. 23, In Church, mm.29-36
(tonic pedal)
Secondary Dominants and Secondary Sevenths
pdfmp3Bologne, Joseph, Sonata for flute and harp in Eb major, mvt. I Andante, mm.43-49
pdfmp3Farrenc, Louise, Violin Sonata No. 2, Op.39, mvt. I, Grazioso, mm.1-12
pdfmp3Coleridge-Taylor, Samuel, Four Characteristic Waltzes, Op.22, No. 1 Valse Bohémienne,
Allegro ma non troppo, mm.25-34
pdfmp3Reichardt, Louise, 12 Songs, Op.3, No.8 Kaeuzlein
pdfmp3Reichardt, Louise, 12 Songs, Op.3, No.11 An Maria
pdfmp3Garcia, José Mauricio Nunes, Beijo a mão que me condena for voice and piano
pdfmp3Schumann, Clara, Soirées Musicales, No.2 Notturno, mm.-1-14
pdfMIDIBarthélemon, Cecilia, Sonata for Harpsichord or Piano, Op.3, mvt. III
Vivace, Rondo alla Hornpipe, mm.1-8
pdfmp3Andrée, Elfrida, Piano Quartet mvt. III Finale – Allegro moderato, mm.1-10
pdfmp3Szymanowska, Maria, Nocturne in Bb major, mm.1-5
pdfMIDIDe Montgeroult, Hélène, Three Sonatas for piano, Op.2, No.1, mvt. II. Presto, mm.1-21
pdfMIDIDédé, Edmond, Le Serment de L’arabe, Chant Dramatique for voice and piano,
(piano introduction), Allegro Maestoso, mm.1-8
pdfMIDIBrady, William, Anthem for Christmas, Andante Pastorale, mm.8-22
(also contains mode mixture minor v)
pdfMIDISawyer, Jacob, J. Welcome to the Era, March, Con Spirito, mm.5-20 (2nd ending)
pdfmp3Dett, Nathaniel, I’m So Glad Trouble Don’t Last Alway, mm.1-5
(interesting example of parallel 5ths in left hand)
Deceptive and or Irregular Resolutions
pdfmp3Tchaikovsky, Pyotr Ilyich, Album for the Young, No. 23, In Church, mm.1-12
(i subs for III) or can be interpreted as a modal type of the plagal cadence i – ii – i in D