| 17th Century Examples | ||
 | Leonarda, Isabella, Sic ergo anima animae, for two voices and continuo | |
| Leonarda, Isabella, O anima mea, for two sopranos and continuo | |
| Leonarda, Isabella, 12 motets, Op.11 | |
| Leonarda, Isabella, Iam Diu dilecte, Op.20 No.1, voice, 2 violins, bassetto, organ | |
| Leonarda, Isabella, Ah Domine Iesu, motet for alto, tenor, continuo | |
| Nascimbeni, Maria Francesca, Mottetto Sitientes venite, Motet for 2 soprano, bass, organ | ||
| 18th Century | ||
| 19th Century | ||
 | Barrios, Augustin, Prelude Saudade for guitar, Lento | |
| Barrios, Augustin, Prelude in c minor, Adagio | |
 | Beach, Amy, Prelude and Fugue, Op. 81, Maestoso, quasi improvvisazione | |
 | Ponce, Manuel M., Prélude Fuguée, Andante malinconico | |
 | Schumann, Clara, Three Preludes and Fugues, Op.16 | |
| Schumann, Clara, Prelude and Fugue in F# minor | |
| 20th Century | ||
 | score link | Kay, Ulysses, Four Inventions for piano |
 | link | Cheatham, Wallance McClain, Three Preludes for piano |
 | link | Kralik, Mathilde, Fugue for organ |
 | link | Shande, Ding, Four Preludes and Fugues for piano, Op.29 |
Diverse Music Theory Examples 