Contributors

Always looking for contributors. It’s not about me. It’s about us!

Rachel Gain	PhD student, Music Theory, Teaching Fellow, University of North Texas	1 example
Dr. Dorothy Hindman	Composer, Associate Professor, University of Miami	1 example
Dylan Findley	Composer, Associate Lecturer at University of Wisconsin-La Crosse	1 example
Dr. Frank Lehman	Music Theorist, Author, Associate Professor of Music, Tufts University	1 example
Olivia Kieffer	DMA Candidate, Composer/Performer, University of Miami	2 examples
Michael G. Ebie	PhD student, Graduate Teaching Assistant, University of Cincinnati College-Conservatory of Music	2 examples
Dr. Richard Robbins	Director of Choral Activities, Assistant Professor, University of Minnesota Duluth	3 examples
Dr. Peter Learn	Composer, Adjunct Professor, University of Miami	4 examples
Dr. Phillip W. Serna	Gambist, Bassist, educator, writer, early music advocate	6 examples
Dr. Benjamin Montgomery	Composer, Adjunct Professor, University of Miami	8 examples
Eric Delgado	Composer, Graduate School Fellow, University of Wisconsin-Madison	12 examples
Dr. David Dean Mendoza	Composer, Adjunct Professor, University of Miami Adjunct Professor, Miami Dade College	622 examples

I am looking for works by underrepresented composers who are:

women
racial minorities
LGBTQ+
(all genders) from regions normally not encountered in undergraduate theory textbooks
Asia, Central Asia, Middle East, Australia, Eastern and Southern Europe, Scandinavia, Baltic and Balkan regions, Latin America.
Modal music examples from everyone. Have a good Locrian example? Sent it!

Process for Submitting Examples

Please email name, title of work, movement or number within piece if applicable, tempo marking if appropriate, and measure numbers.

If there is an online link (such as a YouTube link), please include that as well so I can create a short excerpt and give the performers credit.

Example

Tchaikovsky, Piano Trio in a minor, op. 50, mvt. 2, mm. 1-9

youtu.be/WXCMdF7EAhg?si=ZXATPvVW5WSH-TAt

Chapter: Tonic and Dominant

Please include your name and title so that I can add you to our contributor list.
Include a score or a link to a score. To ensure uniformity, you do not need to engrave it.
Email to diversemusictheoryexamples@gmail.com
There is no set time for examples to be posted, but expect 7 to 10 days.
I will get back to you ASAP.

David

If you wish to contribute financially to this project, please send donations to paypal.me/dmteproject