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| Counterpoint | |
| Canti firmi guidelines | |
| First Species guidelines | |
| Second Species guidelines | |
| Third Species guidelines | |
| Fourth Species guidelines | |
| Fifth Species guidelines | |
| Fundamentals | |
| Trichords, Tetrachords, Pentachords, Hexachords I | |
| Trichords, Tetrachords, Pentachords, Hexachords II | |
| Gregorian Modes / Church Modes | |
| Jewish Prayer Modes | |
| Modern Western Modes | |
| Modes III | |
| Scales I | |
| Scales II | |
| Carnatic Melakarta | |
| Hindustani Thaat | |
| Raga | |
| Arabic Maqam | |
| Turkish Makam | |
| Persian Dastgah | |
| Azeri Mugham | |
| Javanese Pathet | |
| Rhythm and Time Signatures I | |
| Rhythm and Time Signatures II | |
| Key Signatures I | |
| Key Signatures II | |
| Harmony | |
| Intervals I | |
| Intervals II | |
| Voice Leading Guidelines | |
| Part Writing Errors | |
| Seventh Chords | |
| Cadences I (what they teach you in school) | |
| Cadences II (what they don’t teach you in school) | |
| Non-Chord Tones | |
| Prolongation | |
| Writing for Piano | |
| Modulation I | |
| Modulation II | |
| Binary Form | |
| Augmented Triad | |
| Diatonic Harmonic Sequences | |
| Chromatic Harmonic Sequences | |
| Augmented 6th Chord | |
| CTo7 | |
| Sonata Form | |
| 12 Tone Theory | |
| Negative Harmony | |
| Neo-Riemannian Theory |