Chromatic Sequences

A2 (-3/+4) (Ascending 5-6 sequence)
pdfmp3Amalia, Anna, Divertimento in Bb Major, mvt. II, Allegro, mm. 63-70
pdfmp3Bon, Anna, Six Sonatas for harpsichord, Sonata I. mvt. II Andantino, mm.9-11
(link to recording)
pdfmp3Bon, Anna, Six Sonatas for harpsichord, Sonata V, mvt.III Allegro, mm.31-41
pdfmp3Gambarini, Elisabetta de, Six Sets of Lessons for Harpsichord, Op.1, Sonata V,
mvt. II Siciliana, Andante, mm.17-23
pdfmp3Jacquet De La Guerre, Élisabeth, Cephale et Procris, Prologue, Ouverture, mm.26-33
A2 (Ascending Circle-of-Fifths)
TBD
A2 (other variations)
pdfmp3Gambarini, Elisabetta de, Six Sets of Lessons for Harpsichord, Op.1, Sonata VI,
mvt. III, Allegro grazioso, mm.17-24
Multiple Sequences
pdfmp3Bon, Anna, Flute Sonata No.2, mvt. III, Allegro, mm.23-35
(A2 and D2)
pdfmp3Bon, Anna, Six Sonatas,Op. 2, No. 2, mvt. 3. Allegro, mm.27-41
(A2 and D2)
pdfmp3Martines, Maria Anna, Sonata in E major, mvt. I. Allegro, mm. 69-83
(A2 and D2)
D2 (Descending Circle-of-Fifths)
pdfmp3Agnesi, Maria Teresa, Ulisse in Campania, Second Part, Overture, mm.45-60
(Copied and edited by Liam Hynes) (link to recording)
pdfmp3Beach, Amy, Four Sketches op.15, No. 1 In Autumn, Allegro ma non tanto, mm. 37-46
(link to recording)
pdfmp3Bologne, Joseph, Ouverture de L’amant Anonime, mvt. I. Presto, mm.24-31
(link to recording)
pdfmp3Bon, Anna, Six Sonatas for harpsichord, Sonata IV, mvt. I, Allegro, mm.85-94
pdfmp3Bon, Anna, Six Sonatas for harpsichord, Sonata II, mvt. II, Andante, mm.8-12
pdfmp3Farrenc, Louise, Élévation for organ, Adagio religioso, mm.25-32
(from the J.G. Quintard edition)
pdfMIDIGarcia, José Mauricio Nunes, Libera me, SATB and continuo, mm.1-12
(also contains a Fr+6 chord, and a passing minor v)
pdfmp3Jacquet De La Guerre, Élisabeth, Sonata No. 2 in D for violin and clavecin, mm.32-37
(engraved from the Don Simons edition) (link to recording)
pdfmp3Jacquet De La Guerre, Élisabeth, Sonata No. 1 in D minor, for violin and clavichord, mvt. IV,
Presto, mm.14-35 (Excerpt performed A=432) (Perfect example of arrow notation being more
useful than slash notation to indicate secondary dominants.)
pdfmp3Jacquet De La Guerre, Élisabeth, Cephale et Procris, Prologue, Ouverture, mm.53-61
pdflinkJacquet De La Guerre, Élisabeth, Pièces de Clavecin, Suite No. 5 in D minor, mvt. X Chaconne, mm.104-110
(Excerpt should start at 1:41:55)
pdfmp3Martines, Maria Anna, Sonata for harpsichord in G major, mvt. III, Allegro assai, mm.52-59
pdfmp3Schumann, Clara, Soirées Musicales, Op. 6, No.1 Toccatina, mm.1-8
pdfmp3Szymanowska, Maria, Nocturne in Ab major for three hands, mm.1-8
pdfmp3Velásquez, José Francisco (the younger) Por más que el fiero Averno, mm.74-93
(link to recording)
D3 (Descending Thirds Sequence)
pdfmp3Bon, Anna, Six Sonatas,Op. 2, No. 2, mvt. 3. Allegro, mm.22-32
(recording link)
pdfmp3Nepomuceno, Alberto, String Quartet No. 2, mvt. II. Andante espressivo, mm.6-8
(recording link)
pdflinkMy Chemical Romance, Welcome to the Black Parade, mm.1-20
(Not a typical D3)
(Voice leading chords are not consistent from model to copy, but does give the sense of a sequence)
D2 (-P4/+m3)
pdfmp3Mayer, Emilie, String Quartet No. 4 in A major, mvt. I, mm124-127
(four-chord model F#m-D/F#-Ao7/Gbb-C#/E# = model Em-C/E-Go7/Fb-B/D# = copy)
(link to recording)
D4 (Descending Fourths Sequence)
pdfmp3Kralik, Mathilde, Jugend-Lieder for voice and piano, No. 7 Die Verschwiegene Nachtigall,
Wiegend, mm.118-125